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- Ableton Live vs Logic Pro - Which Is Better? () - Musician Wave
You can choose between melodic probability, rhythmic probability, probability of arpeggios, or just plain chaos, where melodies get created at random. Tools like these make tinkering for new sounds enjoyable On the functional side, Live also sports audio effects like the age-old Auto Filter. Every digital audio workstation probably has something similar, a filter attached to an LFO that you can set to automatically modulate as desired.
Though simple in theory, it's a very effective tool and sounds great on vocals, guitars, keys, strings, drums, basically anything that needs just a hint of movement but should remain subtle. It's a compressor, saturator, exciter, transient designer, and sub-harmonic enhancer, all in one. I find it to be one of the most useful tools on drums and have found a use for it elsewhere on vocals, pads, and string samples.
You can use it on anything that you want to stand out in the mix. It certainly goes to bat with renowned third-party plugin manufacturers like Waves, Izotope, SoundToys, etc. When it comes to a live performance DAW and "clip-launch" functionality, Ableton vs. Logic was never a conversation. Ableton was the only DAW that executed that workflow in the same way that a DJ would cue songs and mix in and out using smooth transitions. Sure, you could hook your computer up to a mixer with a multitrack of a bunch of songs, but that's clunky and very prone to error on stage.
With Live, the ease of layout and workflow was a game-changer. The concepts are simple; load songs onto a single track vertically and clicking play on subsequent tracks will count in, then stop the previous track.
Or, create a new track and load up songs that will play simultaneously as other tracks that are playing. Each space on a track is a stop button for the currently playing clip on that track.
That's it. A fail-proof auto-cue system that made everyone who had a laptop and Ableton Live a DJ. However, the clip-launch functionality has been more or less the same since it was released.
Inevitably another DAW would catch up Now, Ableton vs. Logic is the conversation we're having due to Logic Pro really upping their game and implementing a very well-done clip-launch view.
They copied Ableton Live verbatim but did it in their polished, friendly-for-all, UI. It might as well be Garageband Live. They also made the live looping functionality utilize Logic's traditional composition view track format, so Logic live performers can easily use both the grid view and a view that's familiar to them. So, Ableton vs. Logic when it comes to live performance?
Both do it well and have near-identical functionality. The only leg-up that Ableton has is the integration of dedicated controllers like Push 2 fr live performers to us on stage. In this day and age, elastic audio algorithms have resulted in natural-sounding pitch correction across the digital audio workstation continuum. One of the most common and well done is "Elastique", made by a company called zplane. Ableton Live has had zplane's time-stretching since the early days, which is why it was such a renowned warping tool from the start.
Ableton for your main DAW. So which one should you choose? What do you need to know to decide and what does it take to learn? While it may seem like there are huge differences from one to the next, many of the core functions are the same between programs.
Not only that, many producers learn more than one DAW to stay flexible for different projects and collaborators. That means one ultra-affordable plan gets you access to everything LANDR has to offer including its industry-leading AI mastering service, digital distribution, a curated selection of plugins, royalty-free samples and much more. Workflow means the basic process of building tracks in a DAW.
There are plenty of different approaches that vary by genre and personal style. On the surface, the single biggest workflow difference between Logic and Ableton is the loop-based sequencing environment in Live called the Session view. On the surface, the single biggest workflow difference between Logic and Ableton lies in the loop-based sequencing environment in Live called the Session view.
This means that certain MIDI features on it are exemplary: such as the ability to quickly quantize intricate patterns, control velocity, and edit quickly. But the piano roll leaves more to be desired. Logic Pro offers a more elaborate piano roll along with a bonus option to view your MIDI notes as a score. This is a very helpful tool for composers who prefer sheet music over just MIDI information.
You can also export your score as a MusicXML file. However, there are plenty plugins that only come in VST versions, particularly when it comes to free plugins or those made by casual or independent plugin makers.
Therefore, if you want to get the maximum amount of plugin compatibility, then Ableton Live is definitely the best option. These include a variety of bass, piano, synth, and experimental sounds. A highlight of these is that you can customize the parameters to perfection since they emulate analog instruments. Although they can be a little bit tricky to use at first, such as the sampler: a sampling device, they are a joy to work with if you have a little knowledge of synth hardware.
Logic Pro instruments emulate more organic sounds such as piano and guitar. Although it is recommended one has a basic understanding of music theory to be able to use these plugins to their fullest potential, it is not necessary. This tool lets you generate a groove automatically, based on the tempo and the time signature of the song. You can then customize these beats based on your preference. It is a helpful tool for those who are not beatmakers. A cool feature is that you can swap out the sounds on your drum rack.
This means that you can mix and match as you want, even add your instrument or effects for either live or recording performances. But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold.
Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric. This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software.
Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility. Users who are comfortable with performing with an iPad will surely appreciate the usability and portability of the remote app. Good old-fashioned button pushers and knob twisters may want something a little more tangible.
I think it's safe to say that Ableton Live takes the cake for controller integration. The Push 2 integrates into Ableton so much so, that you don't even have to touch the computer at all when you're using it. You can move through menus, select sounds, instruments, warp, slice to 64 pads, play chords, scales, modes, make MIDI loops, and launch clips.
If you're looking to perform live with a controller specifically and are trying to decide between Ableton Live vs. Logic Pro, trust the namesake.
When it comes to audio recording, Logic Pro X is equipped with enough features to execute both small format and large format projects. Whether you're at home using your live instruments, or in a professional recording studio executing a multitrack recording of a player brass band, Logic Pro X is an effective tool. Live performers will also appreciate the low latency mode it has so that they can record with a very minimal delay so as not to get distracted while overdubbing.
Grouping, an age-old recording concept, has also been enhanced by Logic Pro X. If you need to send multiple sources to one place, i.
You can also choose whether you'd like to sub-mix them or simply make folders for organizational purposes during your mix. Since around Logic For music, you'd be hard-pressed to use that many, but you never know.
If you do get to the point where your system is starting to become sluggish due to high DSP usage, you can initiate CPU-saving track freezing. Track freezing will freeze the desired tracks, along with all of their processing, and disable everything on the given track. This feature is simply not possible in Ableton Live.
So if you're planning on large format recording and mixing, that is something to consider. Logic and Live each support any Mac OS interface, or third-party plugins of your choice, and you can assign multiple devices if you want to have separate input and output for any reason something that Pro Tools cannot do. You can also set up hardware inserts and use your outboard gear as external plugins.
Logic's deeper editing makes for quick and easy decision-making. As explained in the session view section, there is an in-depth toolset that you can slice, fade, loop, select, pencil in automation with, mute clips, solo clips, and the list goes on. You can quickly come up with whichever combination works for you and your use case, and commit it to muscle memory so you can fly through editing projects.
Through Logic's audio effects menus, Logic Pro boasts a wide range of excellent sounding dynamics plugins, integrated channel EQ with sonic visualizer, and time-based processors, such as reverbs, delays, flangers, phasers, etc. All of which can stand their ground with any popular third-party plugin manufacturers. Another thing to consider when you're factoring things into your budget. So, in the Ableton vs. Logic conversation for recording software, Logic is quite obviously a more fully-featured product.
However, if you're needs are not as vast as explained above, Ableton Live can do the trick. Maybe you're just recording one thing at a time, just making loops and simple overdubs as you put your composition together. Maybe there's no need to record and play multiple instruments at large track counts.
Of course, if you're recording and live to loop, Ableton Live's quick and simplistic approach might be more desired. The effect plugins don't sound the same, and I've yet to do a shootout with the originals vs.
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